
Tracee Ellis Ross Prepares for Celine's Spring/Summer 2027 Show in Paris

By André Leon Talley


By André Leon Talley
Tracee Ellis Ross has cultivated a distinctive approach to fashion over several decades. Her career in style commenced long before she graced numerous red carpets and occupied front-row seats at major fashion events. In the 1990s, she laid a strong foundation as a burgeoning fashion icon, starting as a model for Thierry Mugler at the tender age of 18, an experience she fondly recalls as her “most epic birthday.” Following her graduation from Brown University, she further immersed herself in the industry as an intern in the fashion department of Mirabella, a prominent women’s fashion magazine at the time. These foundational experiences cemented her profound connection to the world of haute couture.
For Ross, personal style has always been a deeply intimate expression. She attributes her discerning eye and appreciation for “the power of fashion” to her mother, the legendary Diana Ross. It is a testament to this influence that many cherished pieces in Tracee’s extensive archival wardrobe originate from Diana’s personal collection, bridging generations of style and elegance.
Fashion has also played a pivotal role in shaping Ross’s personal relationships, including her enduring friendship with writer Michaela Angela Davis. Davis vividly remembers their first encounter over two decades ago, where Ross made a striking impression with a sophisticated ensemble blending designer pieces with vintage finds, notably a 1972 Celine look from her mother’s closet. Ross’s innate fashion sensibility later extended to her portrayal of the stylish character Joan Clayton in Girlfriends, where she frequently incorporated her own clothing, footwear, and lipsticks into the character’s wardrobe. More recently, her penchant for vintage aesthetics and fashion history informed her Broadway debut, featuring Celine sunglasses and a vintage dress, further underscoring her consistent dedication to timeless style.
Given her rich history with the brand, it is no surprise that Celine remains a cornerstone of Ross’s fashion narrative. Her appreciation for Celine intensified with Michael Rider’s appointment as artistic director, a sentiment she continues to express with enthusiasm. After attending the brand’s Summer 2027 show, Ross declared to ELLE, “Michael Rider, I don’t know what to say. Take all my moneys! Trust that you will see me in full Celine looks!” This powerful endorsement highlights her deep admiration for Rider’s vision and her unwavering loyalty to the luxury house.
Join Ross as she offers an exclusive, behind-the-scenes look at her preparations for the Celine show in Paris, revealing the intricate details that go into creating her show-stopping appearances.
The journey begins with the exciting “glam” process, signaling the start of a glamorous day in Paris, filled with fashion and anticipation.
Discover the curated selection of beauty products and tools that constitute Ross’s “beauty arsenal” for achieving her impeccable look.
Ross shares her personal connection to her beloved red lipstick, Ruby Woo, emphasizing its timeless appeal and significance in her beauty routine.
Witness the careful consideration involved in choosing the ideal attire, a process brimming with “so many chic choices.”
Experience Ross’s personal “runway show before the runway show,” capturing her confidence and grace as she showcases her selected outfit.
Ross playfully challenges observers to identify multiple items starting with the letter “B” in one of her stylish snapshots, inviting engagement and attention to detail.
As she completes her preparations, Ross emphasizes the importance of both appearance and fragrance, stating, “Looking good, smelling good.”
Join Ross on her journey to the venue, filled with eagerness “to see some beautiful fashun!”
Ross embodies “The Celine girl grip,” showcasing her embrace of the brand’s unique and sophisticated aesthetic.
Ross expresses her particular delight over unexpected elements, noting, “I seem to be more excited about the roll-up sunnies than SZA,” highlighting her genuine enthusiasm for fashion’s playful side.
About the author

Former creative director and editor-at-large at Vogue, a towering and influential figure in fashion journalism.

by André Leon Talley
by Ruth E. Carter