
Shaboozey: The Country Outlaw Redefining Genre and Style

By Anna Wintour


By Anna Wintour
Collins Obinna Chibueze, known artistically as Shaboozey, hails from the picturesque countryside of Northern Virginia, a place steeped in NASCAR culture. As the son of Nigerian immigrants, his upbringing instilled in him a profound appreciation for country aesthetics, which would later inspire his hit song, "A Bar Song (Tipsy)." This neo-honky-tonk anthem garnered significant recognition, including nominations for prestigious awards like the CMAs, AMAs, and Grammys, and a notable feature on Beyoncé's acclaimed album, Cowboy Carter.
Recently, the 31-year-old artist unveiled his fourth studio album, The Outlaw Cherie Lee & Other Western Tales. This ambitious project is a concept album that immerses listeners in the rich imagery of the American West. It boasts a diverse array of collaborators, including musical talents like Leon Bridges and Orville Peck, alongside the legendary Hollywood actor Sam Elliot. The album's release was preceded by a candid conversation in New York, where Shaboozey shared reflections on his formative years in Virginia, his artistic influences, and his admiration for the iconic style of Dale Earnhardt.
My artistic journey has always been driven by a pursuit of personal excellence. I find profound inspiration in the extraordinary achievements of others, which invariably influence my creative endeavors. Witnessing George Lucas's creation of Star Wars as a child, or listening to the captivating music of Nelly and the St. Lunatics, ignited a desire within me to discover my own unique form of expression. My imagination knows no bounds, and I am constantly compelled to explore its full potential. This drive has led me to craft a conceptual album like The Outlaw Cherie Lee, just as it might lead me to produce a documentary about the 1970s and 80s D.C. punk rock scene. It's about nurturing ideas and seeing them through to completion.
Indeed, my background in photography and videography significantly influences my music. During the initial phases of this album's development, I often revisited concept photographs I'd taken in desert landscapes. I also drew inspiration from various Western painters and iconic Western photography to inform my songwriting. This creative journey introduced me to Mark Maggiori, a remarkably gifted Western painter who has since become a friend. His art revealed to me the vast, unexplored visual potential of the Western world for photographers.
The Lone Survivor video was a truly remarkable undertaking. With this album, I aim to weave a compelling Western narrative, and adapting a period piece into a contemporary music context with a limited budget compared to a film production presented its own set of challenges. My primary goal was to convey the enduring dangers of the Western world, emphasizing the constant need for self-preservation. One never knows when they might encounter an adversary or a lawman, or what unexpected events might unfold outdoors. I sought to underscore the epic scope of the entire project and the climactic confrontation that defines the album's story.
I refuse to live a life constrained by societal limitations. It's disheartening to acknowledge that many individuals experience a world where their opportunities are dictated by their appearance. My aim is to challenge this narrative and, more importantly, to encourage bravery in all endeavors. I didn't foresee the inherent challenges; my fear sensors were simply disengaged. I believe we are placed here to create, explore, and express ourselves freely, in any manner we choose. God would not have given us this capacity if it were not meant to be utilized.
Growing up in Virginia, I was immersed in what many would describe as a simple way of life. Unlike bustling urban centers, we didn't have luxury brands on every corner. This environment fostered a deep appreciation for the abundance surrounding me: the warmth of family, lively barbecues, serene fishing trips to the lake, invigorating hikes, and simply being present in nature. It taught me that true value isn't found in material possessions but in the experiences and connections we cherish. My father, a devoted country music enthusiast, shared these core values. Later in life, he pursued his dream of owning a chicken farm. It was inspiring to witness his dedication and, upon gaining more freedom, his decision to embark on this new venture. In many ways, I am following in his footsteps, embodying the lessons he imparted. Country music profoundly resonates with the shared values that define our family.
Many of my most cherished artistic endeavors, and the works of creators I deeply admire—such as George Lucas, Roger Waters of Pink Floyd, and Prince—underscore the profound importance of legacy. For me, leaving a lasting impact is paramount. It is crucial to continually push the boundaries of my artistic capabilities, especially within the current music landscape where such ambition is often rare. Pink Floyd's The Wall, a personal favorite, not only yielded iconic hits like "Hey You" and "Another Brick in the Wall" but also incorporated a compelling cinematic component. As a storyteller committed to innovation, creating a concept album felt like a natural and compelling path.
Matt McCormick embodies the enduring spirit of the West. His creations have resonated with me deeply on numerous occasions. Collaborating with him has always been a long-held aspiration, and to finally realize it on such a significant project felt inherently right. We had attempted to work together previously, and he seems to possess an intuitive sense of the opportune moment, which this project clearly was. He has been integral to the album's rollout, designing our Stagecoach billboard for the Cherie Lee activation. He tirelessly crafted countless iterations of the cover until it achieved perfection. I couldn't imagine anyone else for the task.
Absolutely, I genuinely consider her a close friend at this point. Whenever something significant happens, she's always there, sending her congratulations, sharing my work on her platforms, and celebrating my achievements. We truly need more of that. It's a random thought, but just the other day, I was in an Uber, and the driver was discussing the importance of celebrating each other more. She truly embodies that sentiment at every step of the journey.
My sister, who was crowned best-dressed in high school, played a pivotal role in shaping my early interest in fashion. She introduced me to the world of thrifting, and thanks to her, I was always abreast of the latest trends. My sister taught me early on the importance of individuality and standing out from the crowd. Even before her public recognition, she was always a superstar in my eyes. My father also had a distinct style, often sporting Realtree patterns, Wrangler jeans, and the most lived-in sneakers. True style, for me, originates from within and then radiates outward.
My first significant clothing purchase was a NASCAR jacket. I vividly recall the obsession I had with finding the most iconic NASCAR jackets at thrift stores. This pursuit profoundly influenced my musical journey into country music. NASCAR is deeply rooted in Virginia and North Carolina, and discovering something that felt uniquely 'ours' was incredibly resonant. While New York boasts teams like the Yankees and Knicks, Virginia lacked a prominent professional sports team to rally behind. However, we had the Richmond International Raceway. This local connection ignited my curiosity to explore what it truly meant to be from Virginia, leading me down a captivating rabbit hole of discovery.
Currently, I'm quite fond of my Red Wing Pecos boots, which are in the room right now. I also recently acquired some remarkable hidden rivet Levi's 501s. I'm fortunate to have friends who work at RRL, and they often share their latest intriguing finds with me.
Indeed, I have a strong connection with the brand. They've dressed me for several occasions, including my Grammy appearance. I've always been a tremendous admirer of Ralph Lauren. Their commitment to preserving Western heritage deeply resonates with me. I'm particularly drawn to Ralph Lauren himself, whose personal style is profoundly influenced by Western and Americana aesthetics. It's a truly timeless look, and I wish more people would embrace it.
My style influences are incredibly varied. Bob Marley possessed an undeniably amazing sense of style. Richard Stark is also incredibly cool, with his distinctive blend of bike and chopper culture, yet he consistently wears the same pieces every day. Ralph Lauren, of course, is a significant inspiration. Surprisingly, Lil Wayne has also influenced my style. And then there's Dale Earnhardt. It gets quite eclectic! But that's precisely how it works; you draw inspiration from every corner.
Robert Plant was another huge influence for me, as were Jimmy Page and Jim Morrison. Dwight Yoakam also stands out. What all these artists share is their ability to blend diverse elements. Returning to what I mentioned about my sister, true style is ultimately about individuality and personal expression.
My approach to style can certainly vary. Sometimes, my aim is to achieve a sense of understated cool. This might involve an effortlessly simple look: a vintage white t-shirt, jeans, and boots. However, there are moments when the occasion calls for a more eclectic ensemble. Yet, there isn't a dramatic divergence between my on-stage and off-stage personas. It's primarily driven by a feeling—the emotion you wish to project when performing. Especially with this album, I've been focused on finding ways to embody an outlaw spirit while maintaining both contemporary relevance and timeless appeal.
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