
Review of 'Being Heumann': Siân Heder's Disability Rights Drama

By Roger Ebert


By Roger Ebert
The film commences with an impactful sequence featuring Judy Heumann, brought to life by the formidable Ruth Madeley. As Iggy Pop's "The Passenger" sets a rhythmic backdrop, Heumann navigates her wheelchair through busy city thoroughfares, facing the daily gauntlet of an inaccessible world. This opening visually encapsulates the immense hurdles confronted by individuals with disabilities in environments devoid of adequate accessibility considerations, underscoring Heumann's tenacious spirit and refusal to be cowed by systemic barriers.
Director Siân Heder, fresh off her Oscar triumph with 'CODA,' revisits themes of inspiration and social justice in 'Being Heumann.' Similar to her previous work, Heder meticulously casts actors with disabilities in roles that authentically reflect their experiences, lending profound credibility to the narrative. The film dramatizes a critical chapter in American civil rights history, focusing on the 1977 504 sit-in, the longest occupation of a federal building in U.S. history, a testament to collective perseverance and advocacy.
The narrative centers on the 504 sit-in, named after Section 504 of the Rehabilitation Act of 1973, a landmark piece of legislation designed to protect the civil rights of people with disabilities. Despite the law's passage, governmental inaction prompted Heumann to lead a spontaneous protest, occupying the San Francisco office of the U.S. Department of Health, Education and Welfare. This unprecedented 28-day sit-in marked a turning point, demanding the enforcement of rights that had been long ignored and setting a precedent for future disability activism.
While the story of the 504 sit-in was previously explored in the documentary 'Crip Camp,' Heder and co-writer Rebekah Taussig adeptly craft an accessible and emotionally resonant cinematic experience. Their adaptation ensures that this vital historical event reaches a broader audience, emphasizing the enduring relevance of collective action and protest in addressing systemic injustices. The film's timing, particularly with contemporary debates surrounding disability rights, amplifies its impact.
The film powerfully illustrates the courage, commitment, and cooperation among diverse individuals within the disability community. Blind, deaf, and wheelchair users unite, surmounting internal disagreements and external political pressures to forge a movement that would ultimately benefit millions. These poignant moments highlight the strength found in solidarity, demonstrating how unified voices can galvanize significant societal change.
Some of the most moving segments feature activists sharing their personal narratives with government officials. These testimonies recount years of denial—denial of education, employment opportunities, and fundamental human dignity. The film starkly reveals the devastating impact of a society that renders individuals with disabilities invisible, confining countless people to their homes due to a lack of support and accessibility.
The film introduces Joseph Califano, the HEW Secretary, portrayed by Mark Ruffalo, as the primary antagonist, whose resistance to implementing the regulations stems from budgetary concerns. Conversely, Democratic Congressman George Miller (Rob Delaney) and local reporter Evan White (Dylan O’Brien) emerge as crucial allies. Their support and White's extensive media coverage elevate the protest to national prominence, demonstrating the critical role of political advocacy and media attention in social movements.
Heder and Taussig are careful to position the coalition, led by Heumann, as the true catalyst for change, rather than attributing success solely to their allies. Heumann's leadership, though sometimes abrasive, is depicted as the essential driving force behind the movement. Her Brooklyn-bred directness and unyielding determination rally her fellow activists, solidifying her role as an indispensable leader.
The film shines a light on various pivotal figures within the occupation, including Kitty Cone (Madeline Delp), whose evolving friendship with Heumann adds emotional depth. Antwan Tolliver delivers a compelling performance as Brad Lomax, a Black Panther member whose involvement brings crucial external support. Andrew Pilkington's portrayal of Hale Zukas injects humor and insight, capturing the spirit of innovation and resilience within the disability rights community.
Despite moments where the dramatic pace might slacken, the film maintains its gripping power through the sheer charisma and unwavering perseverance of its characters and the actors who portray them. Even in the face of daunting challenges, such as a harrowing late-night police raid, their indomitable spirit and occasional levity make it impossible not to root for their cause. The film beautifully captures their irrepressible joy and solidarity, highlighting that even in struggle, community and humor prevai
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Pulitzer Prize-winning film critic whose reviews and essays defined cinema criticism for decades.

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