
Johnny Knoxville's Chaotic Camp Comedy

By Roger Ebert


By Roger Ebert
Johnny Knoxville's newest cinematic offering sees him in a role filled with physical comedy and outlandish situations, including electrocution, jeep-hood surfing, and various other forms of bodily harm. However, this is not a continuation of his 'Jackass' legacy but rather a distinct comedic narrative set in a summer camp environment, directed by Michael Lewen.
The film, characterized by its R-rated humor and children using strong language, aims for a deliberately outrageous tone. While it might resonate with an adolescent demographic, its restrictive rating means this target audience will likely have to wait for its streaming release, which is anticipated to be very soon.
The story unfolds at a Jewish summer camp, depicted as diverse and inclusive, despite its specific cultural setting. Central to the plot is Jacob, portrayed by Benjamin Pajak, who, grappling with his parents' impending divorce and his father's swift remarriage (featuring Jay Baruchel), devises a plan to escape. His goal is to reach an old, abandoned Jewish camp, a place romanticized by the children as a museum without the melancholy.
Jacob, along with four other campers, executes their escape plan by feigning pink eye to secure a quarantine. Their flight sets the stage for camp counselor Bob, played by Knoxville, to embark on a desperate pursuit. Bob, a 50-year-old with a stagnant career, is under pressure from his younger boss, making his mission to retrieve the children critical for his job security.
The film's comedic backbone largely relies on adolescent antics and slapstick. Scenes feature children indulging in Manischewitz wine, navigating romantic entanglements, and engaging in humor that balances overt cuteness with profanity, reminiscent of the style often associated with producers Seth Rogen and Evan Goldberg, who have since matured in their comedic approaches.
While some jokes, such as a child's Yoda impression or a visual reference to 'Apocalypse Now', fall flat, the screenplay by Lewen and Jacob Kaplan also delivers genuinely humorous lines. The film surprisingly injects moments of sweetness, making Knoxville's character, Bob, evolve into a more relatable figure. The young cast, including Aaron Harris, Isa Bernal Steiner, Jai Soundar, and Alyssa Gervasi, delivers engaging and appealing performances.
Knoxville's performance showcases his renowned physical comedic prowess, honed through years of daring stunts. However, given his demonstrated ability to tackle more complex comedic and dramatic roles in films like 'Grand Theft Parsons' and 'We Summon the Darkness', there's an evident desire for him to explore more substantial material in his career beyond the 'Jackass' franchis
About the author

Pulitzer Prize-winning film critic whose reviews and essays defined cinema criticism for decades.

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