
Eight Must-See Films from VIFF 2026: A Deeper Dive

By Chimamanda Ngozi Adichie


By Chimamanda Ngozi Adichie
Tizza Covi and Rainer Frimmel's "The Loneliest Man in Town" paints a deeply emotional portrait of an aging Viennese blues musician confronting the loss of his lifelong home. As his apartment building faces demolition, he reflects on his past, surrounded by cherished mementos like vintage records and a worn piano. The film masterfully captures his struggle with displacement, delving into his contemplation of a new chapter in life during its twilight, a testament to resilience in the face of inevitable change.
Matthew Rankin's "Ladies and Gentlemen, Brian Mulroney" stands out as an extraordinarily innovative historical documentary. Eschewing traditional interviews, Rankin crafts a vibrant, experimental narrative using archival footage, animation, and music. The film chronicles Mulroney's ascent to power, not as a political analysis, but as a hallucinatory exploration of how public images are constructed and political identities evolve. It's a visually striking and unconventional take on a significant Canadian figure.
Noah Segan's "The Only Living Pickpocket in New York" features John Turturro as an aging pickpocket struggling to maintain his traditional trade in an increasingly cashless society. After a misstep involving a dangerous crime syndicate, he races against time to protect his ailing wife. The film transcends its crime thriller genre to explore deeper themes of societal progress, obsolescence, and the erosion of shared values and technologies. Accompanied by a melancholic jazz score, it serves as an elegy for a bygone era of New York City.
Jeremy Workman's "School for Defectors" is a heartwarming documentary chronicling the lives of North Korean defector teenagers at Jangdaehyun School in Busan, South Korea. These students navigate complex emotions of insecurity, trauma, and discrimination while striving to adapt to a new culture. The school provides vital support, fostering confidence, purpose, and a sense of belonging. The film also uncovers their families' harrowing escape stories, revealing these narratives on camera for the first time for some students, emphasizing the profound impact of their journey.
Andrey Zvyagintsev's "Minotaur" offers a chilling depiction of Gleb, a Russian transport company CEO, whose seemingly perfect life unravels after discovering his wife's infidelity. This event propels him down a dark path, punctuated by moments of bleak humor. Against the backdrop of the ongoing Russia-Ukraine conflict and military recruitment pressures, Gleb's household mirrors a broader societal decline marked by detachment, corruption, and an relentless pursuit of comfort. This Cannes Festival Grand Prix winner serves as a powerful commentary on contemporary moral decay.
William and David Greaves's "Once Upon a Time in Harlem" transports viewers to an extraordinary dinner party from 1972, where legendary figures of the Black cultural renaissance gathered at Duke Ellington's home. Filmed by William Greaves on 16mm, the documentary captures their candid conversations, offering an intimate glimpse into the wit, debates, and distinctive style of a pivotal generation. Completed by his son, David Greaves, this film serves as a timeless capsule, inviting audiences to experience an unforgettable evening with history's luminaries.
Soran Mardookhi's "The Flight" explores the devastating aftermath of the Ukraine International Airlines Flight PS752 tragedy in January 2020, which claimed 176 lives, many of them Iranian Canadians. The documentary follows three Iranian-Canadian families as they relentlessly seek answers and accountability from the Islamic Republic of Iran. Through their personal narratives, the film transforms the victims from mere statistics into individuals whose absence continues to profoundly impact their loved ones, highlighting the enduring human cost of the disaster.
Radu Jude's contemporary adaptation of Octave Mirbeau's novel, "Diary of a Chambermaid," follows Gianina, a Romanian migrant working as a live-in housekeeper and nanny for a wealthy family in Bordeaux. The film brilliantly contrasts Gianina's attentive care for her employers' son with her remote video calls to her own daughter in Romania, who longs for her return. Through interspersed scenes of her amateur stage production of the novel, Jude exposes the hypocrisy of her employers' performative progressivism against their true perceptions of Gianina. This narrative highlights the stark disparities between outward appearances and inner thoughts, and the cultural clashes inherent in her situation.
About the author

Acclaimed novelist ("Americanah") whose essays and talks offer sharp critiques of culture and feminism.

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