
Annecy-Winning 'The Violinist' Secures Italian Co-Producers at Tokyo Market, Director Ervin Han Reveals

By Ta-Nehisi Coates


By Ta-Nehisi Coates
Ervin Han's Annecy-winning animated feature, 'The Violinist,' successfully secured Italian co-producers during a crucial meeting at TIFFCOM in 2023. This collaboration highlights the growing importance of international partnerships in the animation industry, particularly for financing and distributing projects globally. The journey of 'The Violinist' from its initial concept to its acclaimed completion spanned a decade, underscoring the dedication and effort required in animated filmmaking. Han's insights, shared at a Tokyo market panel, emphasized the need for early engagement with international partners to streamline the complex processes of deal structuring, rights management, and overall production.
Furthermore, the panel discussion at TIFFCOM shed light on the evolving landscape of anime co-productions. Experts agreed that successful international collaborations hinge on involving overseas partners from the developmental stages, ensuring that financial arrangements and rights are clearly defined. This proactive approach helps mitigate potential challenges in the production and promotional phases. The conversation also touched upon the critical role of platform partnerships, with streaming services like Netflix and Disney+ now having significant investment obligations for local and European content, creating new opportunities for animated features in France and beyond.
Ervin Han, co-founder and CEO of Robot Playground Media in Singapore, recently shared the successful journey of his animated feature, 'The Violinist,' at a panel discussion during TIFFCOM in Tokyo. He revealed that the film, which garnered the top prize at France's Annecy International Animation Film Festival, secured its Italian co-producers, Altri Occhi, during a meeting at TIFFCOM in 2023. This pivotal partnership exemplifies the increasing trend of international collaborations in the animation industry, underscoring how global markets facilitate crucial connections for independent filmmakers. Han's experience highlights that bringing partners on board early in the development process is essential for navigating the complexities of financing, deal structures, and rights management, ensuring a smoother path from concept to global distribution.
During the "Anime's New Frontier: Structuring & Financing International Co-Productions" session, moderated by Kawano Masao of Into Global, panelists unanimously agreed on the strategic advantage of early international involvement. This approach allows for the harmonization of creative visions and financial investments across borders, which is particularly vital for animated projects that often require extensive resources and a long production timeline. Han's decade-long commitment to 'The Violinist'—from its initial conception to its completion—illustrates the profound dedication required, acknowledging that promotional efforts can often be more demanding than the production itself. His return to TIFFCOM to pitch a new project, 'A Banquet for Hungry Ghosts,' with a diverse group of international partners, further demonstrates his continued belief in collaborative filmmaking as a pathway to global reach and success.
The panel discussion at TIFFCOM also delved into the broader dynamics of strategic partnerships and market influences within the animation sector. Ilan Urroz, CEO of France's Foliascope, pointed to the significant impact of platform partnerships, particularly highlighting France's investment obligations for streaming services. These regulations mandate that streamers allocate a substantial portion of their revenue from France to European or French-language original content, including animation. This regulatory environment creates a fertile ground for co-productions by ensuring a steady stream of investment and a clear pathway for distribution through major platforms like Netflix, Disney+, and Crunchyroll, thereby expanding opportunities for animated works to reach wider audiences.
Sakurai Taiki, CEO of Salamander Inc., with over 25 years of experience in anime and more than 100 titles under his belt, underscored the indispensable role of human capital. He emphasized that "partners are the key to success," a sentiment echoed by Urroz, who advised filmmakers to "be creative, and don't forget that every project is also a journey of a group of people" when seeking co-production partners. These insights collectively highlight that while financial and regulatory frameworks are crucial, the core of successful international co-productions lies in forging strong, collaborative relationships and recognizing the collective human endeavor behind each project. The evolving market, driven by both creative talent and strategic business models, continues to shape the future of global animation.
About the author

Author and journalist whose work on culture, race, and history includes writing for Marvel's "Black Panther."

by Ta-Nehisi Coates
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